Photographer and multidisciplinary artist David Drebin on the transitory nature of home. When we speak on the phone, David Drebin is at home, sort of. It is early July and the New York–based photographer and multidisciplinary artist is spending the summer in Toronto, where he was born and raised. But, he stresses, he is not here for R&R, taking it easy or chilling. “I don’t really relax and unwind, or take a break, because I love what I do,” he says. He’s working on post-production in Canada. Then he hits the road again.

Filling your home with art is both a way of expressing yourself and curating the mood and atmosphere of your space. Think of your home as your own gallery, a blank slate with endless possibilities to surround yourself with artwork that inspires. Perhaps you consider your art collection in a methodical way, procuring only a few pieces to fill white walls in need of a focal point; or maybe you’re an art lover, eager to diversify your collection with oil paintings and sculptures alike. No matter your goals or methods, collecting and displaying art in your home is a personal endeavor, but there are a few things to keep in mind once you have an established collection.

The power of a sculpture on the viewer is markedly different than that of wall art. While paintings, photographs and tapestries tell a story or, in the case of non-representational art, which conveys a mood, three-dimensional works are often seen as having special attributes that elicit, arguably, more powerful responses.

To understand the latest trends in art, architecture, and design, you have to go back to the time when objects were handcrafted, bricks were hand-molded and every element in the house was a work of art. Rediscovered and burnished by a new generation, these old ideals are setting a new style.

Two of the world’s art and architecture stars, Theaster Gates and Sir David Adjaye, have collaborated with musician and activist, Bono, to CURATE THE THIRD (RED) AUCTION to support the fight against AIDS. Centered on the theme of light and the color red, the collection of contemporary art and design will be exhibited and auctioned during Art Basel in Miami Beach and Design Miami.

International art fairs, world-class museums and a thriving vibrant design district — Marrakech has evolved into a global arts mecca.

Meryanne Loum-Martin is greeting her guests, here at her candlelit compound at La Palmeraie in Marrakech. Among those in attendance are His Excellency Dwight L. Bush Sr., the U.S. ambassador to Morocco under President Barack Obama, and Bozoma “Boz” A. Saint John, Uber’s chief brand officer. Loum- Martin ushers them into her vast lush gardens, designed by her ethnobotanist husband, Gary Martin. On the agenda — free-flowing cocktails (no wine, hard liquor only), a sit-down dinner for 180 and a fabulous Congolese band. Welcome to the arts scene in Marrakesh.

With its cool-climate viticulture, British Columbia’s Okanagan region is a wine-producing Eden. The long, sun-filled summer days, tempered by cool, crisp nights, yield wines with a natural acidity and a unique flavour profile. Many first-time visitors to the vineyards of Liquidity, in Okanagan Falls, come with a purpose — swirl, sniff and sip, perhaps a fruity viognier, a savoury pinot noir or maybe a peachy chardonnay. That is, until they arrive at the estate.

Sweeping views are impressive, but rooms with abundant windows can present design challenges. Will that dramatic chandelier obscure a sight line to the mountains? You love all of that natural light, but what about the glare it creates on your flat-screen TV? Success lies in choosing well-proportioned furniture and paying close attention to the intended use of a space. 

Minimalism is design through simplicity—of form, colour, volume and detail—yet this aesthetic isn't simple to achieve. Go too far in one direction, and the result is cold, even sterile; cross the line the other way, and messiness begins. Hitting the sweet spot involves an architectural and decorative language of unity and repetition and the clever manipulation of space—not as an element to be filled, but as one to be celebrated—as well as light.

In the ideal co-mingling of old and new architecture, the sum is greater than its parts. Smart adaptive-reuse projects employ the best contemporary design to showcase architectural heritage. They also breathe new life into the past, providing new uses, new contexts and new ways of experiencing the urban landscape. In some cases, adaptive reuse recasts buildings in unimaginably different roles — stables transforming into homes, industrial buildings turning into community hubs.

In the best examples — say, the 1989 addition of I.M. Pei’s glass pyramid to the Louvre in Paris, a building whose history goes back to the 12th century — it is the conversation between the old and new that itself becomes iconic. These six exemplary buildings from around the world prove that the past can find new life in designs built for the future.

Vancouver’s Joseph Segal is a self-made billionaire, thanks to the various business ventures that he invested in — from selling fish from his bicycle to property development through his company, Kingswood Capital Corporation. But when it comes to one of his greatest passions — collecting art, Segal values the help he’s had along the way.

In the latest episode, get up close with George Condo’s ‘The Life of Jean Louis’ and discover nods to Picasso, Basquiat, Rauschenberg and Rembrandt. The work is a highlight of Sotheby’s Contemporary Art Day Auction (08 March, London).